Category: Music

  • PHILLY JAZZ MONTH RETURNS

    PHILLY JAZZ MONTH RETURNS

    Presented by PECO, the April Celebration Highlights Philadelphia’s Renowned Jazz Community

    PHILADELPHIA, PA, UNITED STATES, March 17, 2026 /EINPresswire.com/ — PHILLY JAZZ MONTH RETURNS:
    CREATIVE PHILADELPHIA AND MID ATLANTIC ARTS
    WELCOME JAZZ PHILADELPHIA AND WRTI-FM AS
    NEW PARTNERS THIS APRIL

    In April 2026, Creative Philadelphia and Mid Atlantic Arts return to co-present Philly Jazz Month, with WRTI-FM and Jazz Philadelphia joining as new partners in this citywide celebration. Audiences can enjoy jazz events, performances and educational opportunities in neighborhoods across Philadelphia. The monthlong initiative is generously supported by PECO, which champion the city’s enduring jazz legacy.

    Philly Jazz Month is a celebration honoring the legacy, vitality and future of jazz in Philadelphia. Throughout April, the initiative spotlights the extraordinary work of local artists and organizations while strengthening collaborative efforts to elevate the city’s dynamic jazz scene and African American cultural heritage on a local, national and global stage.

    Beyond its monthlong celebration of live jazz performances, Philly Jazz Month is partnering with the School District of Philadelphia to provide free educational workshops for students in Philadelphia public schools, expanding access to music education and inspiring the next generation of jazz artists and enthusiasts.

    “Creating meaningful opportunities for young people to learn alongside accomplished jazz artists is central to this initiative,” said Val Gay, Chief Cultural Officer and Executive Director of Creative Philadelphia. “Through more than $30,000 in funding, we’re also empowering Philadelphia-based musicians and organizations to develop and present original jazz programs across the city in April.”

    “This initiative shows what’s possible when arts organizations align their resources around a shared vision,” said Juan Souki, Executive Director of Mid Atlantic Arts. “By continuing our partnership with Creative Philadelphia and beginning new collaborations with WRTI-FM and Jazz Philadelphia, we’re building stronger support systems for Philadelphia’s jazz community.”

    “WRTI is excited to be a partner for Philly Jazz Month,” said Bill Johnson, General Manager of WRTI-FM, “Philly Jazz Month is directly aligned with our commitment of connecting jazz audiences and artists all year long. This focused month of jazz programming is an opportunity to champion jazz while drawing others to this music we all love.”

    President of Jazz Philadelphia, Gerald Veasley, said “Philly Jazz Month is more than just a calendar of events; it’s a testament to the strength of the Philadelphia jazz community. We are honored to stand with our partners to support and celebrate the extraordinary musicians and presenters who keep our jazz scene thriving.”

    The City of Philadelphia takes pride in the special place it holds in America’s music history. One of the nation’s most dynamic cultural cities, Philadelphia celebrates the role that it has played in the evolution of jazz, the most original of American music genres and a music form that transcends demographic and cultural boundaries. Philadelphia has an extraordinary jazz tradition thanks to a long list of past and present musical luminaries, who have set the stage for the vibrant jazz scene the city enjoys today.

    Creative Philadelphia, Mid Atlantic Arts, WRTI-FM and Jazz Philadelphia will officially launch Philly Jazz Month 2026 during a celebration at City Hall in the Mayor’s Reception Room on Tuesday, March 31, 5-7 p.m. To learn more about Philly Jazz Month, visit www.phillyjazzmonth.com.

    Creative Philadelphia
    Creative Philadelphia provides creative and economic opportunities for all Philadelphians to thrive through the arts. We advance public access to arts and culture, collaborate with local creative communities, and celebrate the city’s cultural assets, contributing to a safer, cleaner and greener city. For more information, visit phila.gov/arts.

    Mid Atlantic Arts
    Mid Atlantic Arts nurtures and funds the creation and presentation of diverse artistic expression and connects people to meaningful arts experiences within our region and beyond.

    Created in 1979, Mid Atlantic Arts supports artists, presenters, and organizations through unique programming, grant support, partnerships, and information sharing. Mid Atlantic Arts is aligned with the region’s state arts councils and the National Endowment for the Arts. We combine state and federal funding with private support from corporations, foundations, and individuals to nurture diverse artistic expression while connecting people to meaningful arts experiences within our region and beyond.

    WRTI-FM
    WRTI is a public radio, non-profit, community-supported institution serving as the cornerstone of the Greater Philadelphia region’s classical music and jazz ecosystem.

    Jazz Philadelphia
    Jazz Philadelphia leverages the city’s rich jazz legacy and vibrant musical assets to build a strong, cohesive, forward-looking community. We connect the people and musicians in our region who create, support, and present jazz to build a healthy, sustainable jazz community that is recognized around the world. We plan to achieve our goals in a distinctly “Philadelphia” way—with a diverse coalition marked by passion, grit, collaboration, authenticity and creativity.

    Cara Downs
    MediaVista Public Relations
    +1 323-316-5228
    email us here

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  • JACKSON CULP AND THE COMPANY DROP DEBUT ALBUM ‘WHAT HAPPENED TO SKULL BOY?’ AND NEW RADIO SINGLE ‘DOWN HONEY’

    JACKSON CULP AND THE COMPANY DROP DEBUT ALBUM ‘WHAT HAPPENED TO SKULL BOY?’ AND NEW RADIO SINGLE ‘DOWN HONEY’

    Vampire Rock Emerges from the Louisiana Bayou. The Cinematic and Deeply Personal Debut is Already Earning Regional Radio and Press Attention.

    Writing, producing, and recording entirely from his Louisiana studio, Jackson builds a world where eerie beauty and emotional truth collide — a space that feels cinematic and deeply personal.”
    — Green Street Monster Fest 2025 with Grammy-nominated Bowling for Soup

    MONROE, LA, UNITED STATES, March 17, 2026 /EINPresswire.com/ — From the shadowy corners of Northeast Louisiana, Jackson Culp and the Company conjure a sound they call vampire rock, a genre frontman Culp coined that feels less like a label and more like an invitation to step inside a strange, cinematic world somewhere between the fog rolling off a Louisiana bayou and the neon glow of a late-night dive bar. Their music moves with a dark, swampy pulse where gritty rock guitars drift through hazy synths and hypnotic melodies that curl around you.

    The gothic snarl of the Misfits is there. So is the desert swagger of Queens of the Stone Age, the shadow-soaked storytelling of Nick Cave, the sleek cool of the Arctic Monkeys, the nocturnal moodiness of the Neighbourhood, and the psychedelic shimmer of Tame Impala.

    Yet vampire rock is more than its influences. It is Louisiana after dark. Spanish moss hanging like curtains. The music feels haunted but playful, seductive but dangerous. At the center of all of it is “WHAT HAPPENED TO THE SKULL BOY?,” Culp’s debut album, released in January 2026, is already earning regional broadcast attention from LA 105.3 FM radio, the Ouachita Citizen newspaper, FOX 14 KARD/KTVE NBC 10, NPR affiliate KEDM 90.3, News Star and more.

    Since the 2023 EP “Everyone’s Favorite Vampire,” Culp and the Company have amassed over 375,000 YouTube views, 100,000 TikTok likes, and 75,000 streams – momentum that has carried into “What Happened to the Skull Boy?,” which has already surpassed 10,000 streams. The record took 24 months to build from the ground up, and every note, every instrument, every production decision, every mix, and every master was executed by Culp alone at his personal studio in West Monroe. He did not bring in outside hands nor compromise the vision. The result is one of the most self-contained and singular rock records to emerge from this region in recent memory, a seven-track collection that examines a mysterious persona who enters an arrangement he does not fully understand.

    The current single to radio, “Down Honey,” opens the album and announces its intentions immediately. It began with a ukulele and a morning impulse. “I awoke one morning and immediately picked up my ukulele,” Culp recalls. “I thought the song would be more groove-based; however, as the recording process progressed over a long period of time, the rocking, dark energy seemed to be the truth.” The track is anchored by a signature reverberating harpsichord, a thundering Fender P-Bass, and a mono trumpet synthesizer that Culp describes as carrying “a comical sound, but also an eeriness, if used in a specific way.”

    LISTEN to “Down Honey” HERE.

    “‘WHAT HAPPENED TO THE SKULL BOY?’ is an examination of a decaying character that was once dangerous and powerful,” Culp explains. “The songs examine themes of choice and consequences in a colorful and dreamlike fashion. I wanted each listener to sink their teeth into this project and ruminate on it in its entirety. I hope it challenges them. My desire is that a piece of the music that the listener did not enjoy at first then follows them and randomly becomes their favorite on the album without them even knowing.”

    The LP’s analog warmth comes in part from a thrifted reel-to-reel tape machine, a TEAC A-2300S, that Culp discovered by chance in October 2024. He recorded each finished track to tape and then re-recorded the vintage tape master back into his digital recording software, creating a texture that crackles with age and electricity simultaneously. “By the end of finishing the entire album, I knew I had used all of my equipment to the absolute maximum of my ability,” he says.

    Lyrically, it was born from a period of heavy personal reckoning. “For months I was trapped inside two specific ideas: the idea of success coming to an end and the naivete that can arise from success,” he says. “This idea of a total dark and aggressive realization is where the lyric ‘Don’t lie to me today. Just say it’s going down, honey’ was born.”

    The reaction has been immediate and visceral for Culp, the 2019 Kennedy Center American Theater Festival National Award recipient for “Distinguished Achievement in a Play.” Most recently, on LA 105.3 FM’s morning show with longtime radio personality Big Jim and Troy The Mailman, Big Jim told Culp on air: “Your music is awesome. Really good musician. Digging it.” On TikTok, influencer Nick from @nicksmusictaste, who has an audience of more than 180,000 followers, heard the music and offered three words: “Chilling. I just got chills.” Green Street Monster Fest, where Culp and the Company performed on the same bill as Grammy-nominated Bowling for Soup, described the experience as entering a world “where eerie beauty and emotional truth collide, a space that feels as cinematic as it does deeply personal.”

    “WHAT HAPPENED TO THE SKULL BOY?” is the third and most ambitious chapter in a connected gothic narrative Culp has been constructing since 2021. The debut EP “THE LAGOON” followed two hate-filled lovers into a tropical paradise. “EVERYONE’S FAVORITE VAMPIRE” traced the toxic fallout and the arrival of a darker, more sinister figure. The new album closes the current arc with seven tracks that travel from the raucous opener “Down Honey” through the strange funk madness of “Big Genie.”

    The live vehicle for all of this is Jackson Culp and the Company, a band that has been marauding across Louisiana and the surrounding states since their first performance at the Strauss Youth Academy for the Arts in August 2022. The band has evolved through multiple incarnations since, with the current line up featuring Culp on vocals and guitar, Rex Bolls on bass, and Nate Bolls on drums.

    “Down Honey” is out now on all streaming platforms. The full EPK, press photos, CDs, and streaming links are available at www.jacksonculpofficial.com.

    Nathalie Baret
    Win-Win PR & Artist Management LLC
    +1 310-803-3309
    publicity@win-winpublicityhouse.com
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    “Down Honey,” the album’s opening track and current radio single, sets the tone immediately — raucous, unrelenting, and undeniably catchy.

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  • Corporate Leaders Must Rethink Engagement with Civil Rights Organizations, New Advisory Says

    Corporate Leaders Must Rethink Engagement with Civil Rights Organizations, New Advisory Says

    New advisory from Phase 2 Consulting™ examines how corporate relationships with civil rights organizations influence regulation, public trust, and governance.

    My father taught us that authentic leadership is about building bridges – connecting communities, institutions, and hearts—in the ongoing pursuit of justice, opportunity, and human dignity.”
    — Bernice King, American lawyer, Martin Luther King Jr.’s daughter

    WASHINGTON, DC, UNITED STATES, March 17, 2026 /EINPresswire.com/ —
    As major corporate initiatives increasingly unfold under regulatory scrutiny and public input, Phase 2 Consulting™, the Washington, D.C.–based strategic advisory firm led by Dr. Lamell J. McMorris, today released a new advisory highlighting the strategic importance of corporate relationships with civil rights organizations. The advisory offers a framework for corporate leaders to build credible partnerships with trusted community institutions that strengthen public trust, foster constructive dialogue, and help companies navigate complex regulatory environments.

    “At this pivotal moment, companies must recognize that civil rights organizations are more than advocates. They are strategic partners in shaping the future of business and society,” said Dr. Lamell McMorris. “Too often, companies see these relationships as public relations tools. In reality, they are both a moral compass and a strategic advantage.”

    The advisory highlights how relationships between corporations and civil rights and community organizations influence public dialogue, regulatory review processes, and long-term business planning.

    Dr. McMorris serves on the boards of several national civil rights organizations, including as Senior Vice Chair of the National Urban League, and has long worked at the intersection of corporate leadership and modern civil rights institutions.

    For corporations operating in regulated and politically visible industries, relationships with historic civil rights and community organizations can shape the certainty, timing, and cost of major business initiatives. These institutions often serve as trusted bridges between communities, policymakers, and the institutions shaping economic opportunity.

    Major corporate initiatives, including mergers and acquisitions, infrastructure development, licensing approvals, and market expansion, frequently involve regulatory review and public input. Constructive engagement with civil rights and community organizations helps companies understand stakeholder perspectives and navigate regulatory processes more effectively.

    The 2025 Edelman Trust Barometer found that a majority of respondents expect CEOs to address societal issues and build trust with the communities where their companies operate.
    At the same time, the political environment surrounding corporate diversity, equity, and inclusion (DEI) initiatives has grown more polarized, prompting some companies to reassess how they engage with civil rights and advocacy organizations. Many corporations are now seeking transparent ways to maintain constructive relationships with trusted community institutions.

    Dr. Bernice A. King, CEO of The King Center, emphasized the importance of leaders who are able to build meaningful bridges between institutions and communities.

    “My father taught us that authentic leadership is about building bridges – connecting communities, institutions, and hearts—in the ongoing pursuit of justice, opportunity, and human dignity,” said King. “When leaders bring together business, civic leadership, and communities around that shared commitment, they help advance his vision of the Beloved Community and expand the promise of dignity and opportunity for generations to come.”

    Marc H. Morial, President and CEO of the National Urban League, emphasized that strong engagement between the corporate sector and community institutions can strengthen both economic opportunity and public trust.

    “Strong relationships between corporate leaders and community institutions are essential to building an inclusive and thriving economy,” said Morial.

    As the social and political landscape evolves, companies increasingly recognize that engagement with credible community institutions is an important element of responsible corporate governance.

    To learn more or to speak with Lamell McMorris, please contact Rosemary Staltare at Rosemary@phase2-consulting.com or 786-683-0045.

    About Phase 2 Consulting™
    Phase 2 Consulting™ is a Washington, D.C. based strategic advisory firm that helps corporations, institutions, and leaders build meaningful relationships with communities and stakeholders across the United States and internationally. The firm works with clients to strengthen corporate culture, engage constructively with civic and community institutions, and advance responsible business initiatives.
    To learn more, visit www.Phase2-Consulting.com

    Rosemary Staltare
    Phase 2 Consulting
    +1 7866830045
    Rosemary@phase2-consulting.com
    Visit us on social media:
    LinkedIn

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  • Siesta Valley Bowl Partners with Blue Note Entertainment Group for Talent Booking; Hires Former SF Masonic GM

    Siesta Valley Bowl Partners with Blue Note Entertainment Group for Talent Booking; Hires Former SF Masonic GM

    Blue Note Entertainment Group’s SVP David Lefkowitz to Program Premier 1,000-Seat Outdoor Amphitheater in Berkeley Hills; Suman Chatterjee joins as venue GM

    ORINDA, CA, UNITED STATES, March 17, 2026 /EINPresswire.com/ — The Siesta Valley Bowl, an outdoor live music venue in Orinda, California, has announced a new partnership with Blue Note Entertainment.

    Located in the scenic Berkeley Hills, the 1,000-capacity venue will host 75–100 performances annually from April through November, spanning rock, blues, jazz, funk, soul, bluegrass, country, Latin, classical, and pop music.

    As part of the deal, David Lefkowitz, SVP of Talent at Blue Note Entertainment Group, will oversee talent booking and programming at the venue.

    “We’re not just booking shows—we’re curating experiences,” stated Michael Karp, President of Siesta Valley Bowl, Inc. “With David’s guidance, we’ll be presenting the kind of diverse, high-quality programming that the East Bay has been hungry for. From established touring acts to emerging artists about to break big, Siesta Valley Bowl will be the place where music lovers discover their new favorite band in one of the most beautiful outdoor settings in Northern California.”

    “The Bay Area has always been one of the most important music markets in the country,” said Lefkowitz. “There’s a sophistication and appreciation for live music here that’s unmatched. Siesta Valley Bowl gives us the opportunity to create something really special—an intimate venue with festival-quality production in one of the most beautiful natural settings you’ll find anywhere. Artists are going to love performing here, and audiences are going to love experiencing music in this environment.”

    Additionally, Suman Chatterjee, former General Manager of the SF Masonic, has been named General Manager of the reimagined Siesta Valley Bowl. In his new role, Chatterjee will oversee all venue operations, including production management, guest services, vendor relationships, and facility logistics. He will work closely with Lefkowitz on artist hospitality and technical requirements, and with President Michael Karp on food and beverage operations and overall venue strategy.

    “I’m thrilled to join the Siesta Valley Bowl team at such an exciting time,” said Chatterjee. “This venue has incredible potential—the natural setting is breathtaking, the capacity is perfect for creating intimate connections between artists and audiences, and the vision for combining exceptional entertainment with environmental stewardship really resonates with me. Having worked at some of the Bay Area’s top venues, I know what it takes to create memorable experiences for both artists and guests. Siesta Valley Bowl has all the ingredients to become one of the most sought-after performance destinations in Northern California.”

    Karp, who brings his own extensive background in entertainment venue operations and food & beverage management from his work with AEG, Live Nation, and successful Bay Area restaurant ventures, will manage the entertainment relationship with Blue Note Entertainment while overseeing key operational aspects of Siesta Valley Bowl.

    The appointment of Lefkowitz and Blue Note Entertainment represents a strategic alignment of talent buying expertise with Siesta Valley Bowl’s unique venue proposition. The intimate amphitheater, nestled among redwood groves with stunning views of the surrounding Berkeley-Orinda Hills, offers artists and audiences an unparalleled live music experience.

    “We’re not just booking shows – we’re curating experiences,” Karp added. “With David’s guidance, we’ll be presenting the kind of diverse, high-quality programming that the East Bay has been hungry for. From established touring acts to emerging artists who are about to break big, Siesta Valley Bowl will be the place where music lovers discover their new favorite band in one of the most beautiful outdoor settings in Northern California.”

    The venue’s incredibly scenic atmosphere, combined with premium sound quality, exceptional food and beverage options, and its secluded watershed location, creates an authentic and memorable experience that differentiates Siesta Valley Bowl from larger, less intimate venues in the region. Located just minutes from Oakland, Berkeley, and Walnut Creek off Highway 24, Siesta Valley Bowl is scheduled to open in Spring 2026.

    Siesta Valley Bowl, Inc. operates the historic amphitheatre in Orinda through an innovative public-private partnership with the Siesta Valley Foundation and EBMUD, combining culture with environmental stewardship and community engagement.

    Blue Note Entertainment Group is a leading global live entertainment company that owns and operates premier music venues and festivals around the world. Its portfolio includes the legendary Blue Note Jazz Club in New York, along with Blue Note Jazz Clubs in Los Angeles, Hawaii, Napa, Milan, Tokyo, Beijing, Shanghai, Rio de Janeiro, and São Paulo.

    Michael Karp
    Siesta Valley Bowl
    +1 213-446-3914
    email us here

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  • Katy Nichole Hits No. 1 At Radio With ‘Have Your Way’ From Sophomore Album, Honest Conversations

    Katy Nichole Hits No. 1 At Radio With ‘Have Your Way’ From Sophomore Album, Honest Conversations

    RIAA Platinum®-selling Artist Sings Her 4th #1 Song For Thousands Nightly As a Winter Jam 2026 Tour Headliner; Honest Conversations Headline Tour Begins Apr. 18

    NASHVILLE, TN, UNITED STATES, March 17, 2026 /EINPresswire.com/ — RIAA Platinum®-selling, Dove Award-winning Katy Nichole tops Mediabase radio charts for the fourth time with “Have Your Way” from her acclaimed Centricity Music sophomore album Honest Conversations. Singing straight from her heart, holding nothing back, the single is this artist’s prayerful song of surrender.

    Along with airplay on K-LOVE Radio Network, SiriusXM “The Message” and numerous radio outlets worldwide, “Have Your Way” is being heard by thousands nightly in dynamic, full band performances. Known for her joyful, energetic live concerts, Nichole leads the song along with her hits, new music and fan favorites as a featured headliner on Christian music’s biggest arena tour, Winter Jam 2026, which runs through March 29.

    Following Winter Jam, Nichole launches her “Honest Conversations Spring Tour 2026.” The 10-city tour begins April 18 in Montgomery, AL and features special guest Claire Leslie. Tickets are selling fast and are available now through https://KatyNichole.com/. The full itinerary includes:

    Apr 18 Sat Montgomery, AL; Davis Theatre for the Performing Arts
    Apr 19 Sun Chattanooga, TN; Robert Kirk Walker Theatre
    Apr 20 Mon Augusta, GA; Miller Theater
    Apr 25 Sat Washington, IL; Five Points Event Center (Leslie not at this event)
    Apr 26 Sun Dubuque, IA; Five Flags Center
    Apr 27 Mon Wausau, WI; Grand Theater
    Apr 30 Thu Columbus, OH; KEMBA Live!
    May 1 Fri Prestonsburg, KY; Mountain Arts Center
    May 2 Sat North Charleston, SC; Lightsey Chapel
    May 3 Sun Morgantown, WV; Metropolitan Theatre

    Like what audiences are experiencing live in concert, Nichole’s thoughts and emotions flow freely without filter on her 12-song Honest Conversations as she fearlessly grapples with her insecurities, stares down anxiety and shares her dreams out loud. This honesty has consistently struck a chord with music fans worldwide, cementing her as a phenomenon with hundreds of millions of streams, major awards, six Top 5 radio hits and wide critical praise.

    For all the latest Katy Nichole music news, tour dates and more information, go to:
    https://katynichole.com/
    TikTok (831K followers, 10M likes): https://www.tiktok.com/@katynichole_
    Instagram (395K followers): https://www.instagram.com/katynicholemusic
    YouTube (486K subscribers): https://www.youtube.com/KatyNichole
    Facebook (340K followers): https://www.facebook.com/katynicholemusic/

    About Katy Nichole:
    Katy Nichole launched into the international music scene with her debut album in 2023, Jesus Changed My Life, which featured the No. 1 radio hits: RIAA Platinum® “In Jesus Name (God of Possible),” Recording Academy-highlighted “Hold On” and “God Is In This Story.” She also received an American Music Award nomination, was named the Gospel Music Association’s New Artist of the Year (2023) and received a K-LOVE Fan Award. She was further named a Billboard Chartbreaker and performed twice on the Grand Ole Opry. The debut success and ensuing Deluxe album featuring hit single, “My God Can (feat. Naomi Raine),” all led to K-LOVE Radio Network tours, performing for hundreds-of-thousands of music fans on Winter Jam ’24 and ‘26, two Universal Studio’s Rock The Universe appearances and traveling coast-to-coast with artists like Chris Tomlin, Casting Crowns, Jeremy Camp, Matthew West, Tauren Wells, CAIN and more. Her remarkable journey continues following the release of Honest Conversations, which sparked radio’s No. 1, “Have Your Way,” and Top 5 hit, “When I Fall.”

    About Centricity Music:
    The No. 1 Billboard Top Christian Albums Imprint for three consecutive years, Centricity Music is an independent Christian music company based in Franklin, TN. Founded in 2005 with a commitment to artist development and stylistic diversity, its artist roster includes Andrew Peterson, Band Reeves, Bay Turner, Brandon Heath, Centricity Worship, Chris Renzema, Jason Gray, Jaye King, John Allan, Jordan Feliz, Katy Nichole, Lauren Daigle, Mack Brock, Natalie Layne, Rachel Purcell, The Choir Room, and Unspoken. Providing label and publishing services, Centricity is a family-owned organization. The committed work of its staff and artists has yielded successes such as Grammy Awards, Billboard Awards, Dove Awards, K-Love Fan Awards, and multiple Gold and Platinum Albums and Singles. For more Information on Centricity Music, visit https://centricitymusic.com/.

    # # #

    ATTN Media: For Katy Nichole photos and more press materials, go to: https://app.box.com/v/KatyNichole-Press.

    For additional information, music, interviews, etc., contact:

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    Hoganson Media Relations
    hoganson@comcast.net
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    Katy Nichole – “Have Your Way” (Official Music Video)

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  • Signal Alchemy Expands Global Organic Ambient Roster with New Artists from Poland and Sweden

    Signal Alchemy Expands Global Organic Ambient Roster with New Artists from Poland and Sweden

    New signings Miaquirele and Broken Peak join an international roster of ambient artists spanning North America, South America, Europe, Africa and West Asia

    Organic ambient music often begins with a relationship to place. Artists from around the world are shaping this genre through the landscapes and environments they call home.”
    — Kathleen Farley, founder of Signal Alchemy

    TINY, ONTARIO, CANADA, March 17, 2026 /EINPresswire.com/ — Signal Alchemy, a Canadian independent record label dedicated exclusively to organic ambient music, has announced the addition of two new artists to its international roster: Polish composer Miaquirele and Swedish ambient artist Broken Peak. With artists now spanning 13 countries across five continents, Signal Alchemy continues to build one of the most geographically diverse rosters in the organic ambient genre.

    “Organic ambient music often begins with a relationship to place,” says Kathleen Farley, founder of Signal Alchemy. “What’s exciting about working with artists from so many parts of the world is hearing how different landscapes and cultures shape their approach to sound. Even though these artists live thousands of kilometres apart, they share a similar sensibility—music that slows the listener down and reconnects us with the environments around us.”

    Founded in 2018, Signal Alchemy has established itself as one of the leading labels devoted to organic ambient music. The term describes less a fixed genre than a way of working: music shaped by a close relationship to place, process, and natural sound, where field recordings don’t just add texture but influence how a piece moves, breathes, and unfolds. Since its founding, Signal Alchemy has brought together composers, field recordists and sound artists drawn to this approach, building a catalogue and audience that have helped give organic ambient a clear identity within contemporary music.

    NEW SIGNINGS: MIAQUIRELE AND BROKEN PEAK

    Miaquirele is the ambient project of Polish composer and field recordist Monika Katarzyna Supernak, whose work grows from attentive listening to the natural world. Drawing inspiration from forests, riversides and mountain paths across Poland, she creates organic ambient compositions where environmental recordings become central musical voices. Her music blends delicate piano motifs, handpan tones and spacious synthesizers with carefully captured sounds of wind, birds and flowing water.

    “I draw inspiration both from my local natural environment and from travels across the country,” explains Supernak. “I collect field recordings during my journeys throughout Poland—from the sea in the north to the mountains in the south—which is why sounds such as birdsong, the splashing of rivers, the rustle of the wind, or the movement of ocean waves naturally become part of my compositions. Being in these places evokes a sense of calm and positive feelings in me, which form the foundation of my musical creativity. Signal Alchemy understands this relationship, and it’s inspiring to be part of a community of artists exploring these connections from so many different corners of the world.”

    Emerging from Sweden’s expansive northern landscapes, Broken Peak crafts organic ambient soundscapes shaped by atmosphere, memory and place. The project is the work of Swedish composer Oscar Hildingsson, who blends warm analogue synth textures with subtle environmental recordings to create slow-moving compositions that mirror the quiet drama of Scandinavian forests, coastlines and seasonal shifts.

    “Making ambient music is almost like painting an abstract canvas—except you’re painting with sound,” explains Hildingsson. I’m drawn to the forests and plateau mountains around where I live, but I also draw from life events, personal experiences—whatever needs to find its way out. My goal is always to take the listener on a journey through a soundscape that leaves them feeling well. Signal Alchemy felt like the right home for that.”

    A GLOBAL ROSTER ROOTED IN PLACE

    Miaquirele and Broken Peak join a roster that already spans the globe.

    In Cairo, composer and producer Mohamed Kadri creates ambient music under the name Morouj, blending reverb-drenched guitar, drifting synthesizers and field recordings captured in everyday environments. Drawing influence from post-rock, shoegaze and Japanese ambient composers such as Chihei Hatakeyama and Ryuichi Sakamoto, his work has quietly built an international following.

    On the island of Mauritius, composer Jonathan L’Espérance performs as Le Morne, creating organic ambient music shaped by the landscapes and cultural intersections of the Indian Ocean. His work blends classical piano traditions with ambient textures and subtle field recordings, drawing inspiration from the historic mountain Le Morne Brabant, a UNESCO World Heritage site that lends the project its name.

    In a village in Córdoba, Argentina, composer Andres Albornoz—known artistically as Andres Alborok—creates organic ambient soundscapes shaped by analogue synthesizers, environmental recordings and a lifelong curiosity about sound. His work often reflects the slower rhythms of rural life, unfolding through layered textures and spacious drones.

    Meanwhile in Valencia, Spain, composer and mastering engineer Raúl Jordan produces immersive soundscapes under the name Rest in Clouds. Drawing on decades of experience in electronic music, his compositions blend evolving synth textures with field recordings gathered during travels across Europe.

    These four artists represent just a part of the picture. Across the full roster—which stretches from Canada and the United States to France, Denmark, Italy, Georgia, the United Kingdom and beyond—each artist brings a distinct sense of place to their work. What connects them isn’t geography or style but something harder to define: a shared attentiveness to the natural world, and music that asks the listener to slow down and pay attention.

    UPCOMING RELEASES

    Both artists will release their debut Signal Alchemy recordings later this year—Miaquirele on August 7, 2026, and Broken Peak on November 27, 2026. As the label’s roster continues to grow, Signal Alchemy remains focused on what it has always done: finding artists who listen closely to the world around them, and helping that music reach the people looking for it.

    Kathleen Farley
    Signal Alchemy
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  • Rainbow Hill the Band Announces New Album Crash Bloom, Third Chapter of the ‘Brick by Brick’ Saga, Arriving March 20

    Rainbow Hill the Band Announces New Album Crash Bloom, Third Chapter of the ‘Brick by Brick’ Saga, Arriving March 20

    LOS ANGELES, CA, UNITED STATES, March 17, 2026 /EINPresswire.com/ — Rainbow Hill the Band today announced the upcoming release of its newest album, Crash Bloom, arriving Friday, March 20, 2026. The album marks the third installment in the evolving “Brick by Brick” saga, a musical journey centered on recovery, queer resilience, and rebuilding life after adversity. Since launching in 2025, Rainbow Hill’s music has resonated with listeners around the world. What began as a storytelling music project connected to the mission of Rainbow Hill Foundation has grown into a powerful musical narrative about survival, healing, and chosen family.

    Created by Joey Bachrach, the project blends songwriting and emerging music production technologies including AI-assisted tools, to tell deeply personal stories rooted in real experiences within the LGBTQ recovery community. The songs on Crash Bloom are inspired by lived experiences of rebuilding life after addiction and creating affirming recovery spaces for LGBTQ individuals. Several tracks reference the early days of sobriety in Los Angeles, from long nights in Echo Park to the eventual creation of Rainbow Hill, a community dedicated to helping others find stability, connection, and healing.

    Across ten tracks, Crash Bloom explores the moment when life begins again after the wreckage. Through soaring anthems and intimate reflections, the album traces a path from hardship to hope. The title track captures the spirit of the project: “Crash Bloom, we rise from the wreck, turned every ‘maybe’ into a step.” Other songs explore different stages of healing and growth. “Cigarette Prayers” reflects on the quiet desperation many experience before recovery, while “Mess of Me” and “Pretty When It Hurts” explore vulnerability, love, and learning to accept oneself during the healing process. Tracks like “Run From the Rain” and “Bloom Anyway” celebrate resilience and the strength that comes from choosing to keep going.

    In recent months, therapists and recovery professionals have reached out to share that they are using Rainbow Hill’s music in therapy sessions and recovery programs. Many report that clients in recovery connect deeply with the lyrics and feel seen in stories about addiction, healing, identity, and growth. The response has been especially strong within LGBTQ recovery communities, where listeners say the songs reflect experiences of identity, addiction recovery, and chosen family that are rarely represented in mainstream music.

    “People have told us they hear their own lives in these songs,” said Joey Bachrach, sober influencer and creator of the project. “We’ve had therapists share that they play the music for their clients because the lyrics capture feelings people sometimes struggle to put into words. Hearing that the music is helping people feel understood means everything to us.” Throughout the album, themes of queer identity and resilience remain central. The music reflects the experience of learning to survive, rebuild, and ultimately bloom despite the past. The album’s closing anthem, “Ashes in Bloom,” captures the project’s core message: “We’re not broken, we’re in full bloom.”

    The music of Rainbow Hill the Band also remains closely tied to the mission of Rainbow Hill Foundation, a nonprofit dedicated to supporting LGBTQ+ individuals seeking addiction recovery and sober living opportunities. The project helps raise awareness for the foundation’s work providing scholarships and resources for those in need. With Crash Bloom, Rainbow Hill the Band completes the first arc of the “Brick by Brick” saga, a trilogy exploring survival, healing, and transformation. But the journey is far from over.

    Listeners won’t have to wait long for the next chapter. A remix album titled Desert Bloom, featuring new interpretations of fan-favorite tracks from the trilogy, is scheduled for release later this spring in time for festival season. For now, Crash Bloom stands as a powerful conclusion to the first chapter of the story and a reminder that even after life’s hardest moments, something beautiful can still grow.

    Tracklist: Crash Bloom
    Crash Bloom
    Mess of Me
    Cigarette Prayers
    Halfway Home
    Run from the Rain
    Bloom Anyway
    Pretty When It Hurts
    Velvet Damage
    Backseat Ghosts
    Ashes in Bloom

    About Rainbow Hill the Band
    Rainbow Hill the Band is a music project centered on themes of recovery, queer resilience, and rebuilding life after adversity. Inspired by real experiences in the LGBTQ recovery community, the project has grown a global audience through emotionally driven storytelling and uplifting messages of hope.

    Lisi Linares
    Rainbow Hill Foundation
    pr@rainbowhillfoundation.org
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    Crash Bloom

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  • Pop anthem goes viral Taking Modern Tamil Literature Global

    Pop anthem goes viral Taking Modern Tamil Literature Global

    NEW YORK, NY, UNITED STATES, March 17, 2026 /EINPresswire.com/ — A vibrant new pop anthem created for the upcoming LivingTamil LitFest 2026 has taken the internet by storm, surpassing 3 million views in less than 72 hours after its release. The high-energy theme song, “Feel the Spark,” is rapidly gaining global attention for its unique blend of pop music, literary homage, and cross-continental collaboration.

    The festival itself will take place in New York City on April 3–4, 2026, bringing together writers, artists, translators, publishers, and readers to celebrate Tamil language and literature. Yet even before the event begins, its theme song has sparked a viral cultural moment online.

    Watch the viral music video here: https://youtu.be/w38-1XexLTg

    The track was written, composed, and produced by Raleigh Rajan, a Triangle-area based composer known for his distinctive ability to bring literature and music together, in addition to his work scoring music for Indian films. Produced in North Carolina, the song features powerful English vocals by singer Ciera Dumas and was filmed in the vibrant city of Barcelona, Spain. The visually striking music video was directed by Daniel Marcet and showcases four Barcelona-based models and dancers performing against iconic outdoor locations such as the Arc de Triomf and the Catalonia Museum.

    What makes “Feel the Spark” particularly remarkable is its cross-cultural creative collaboration. English pop vocals by Dumas are layered with references to pioneers of modern Tamil literature, creating a rare bridge between regional literary heritage and global pop aesthetics. Industry observers note that this hybrid approach—mixing literary storytelling with contemporary music video culture— may be a key reason for the song’s explosive popularity.

    In an era dominated by streaming and social media, content that blends local heritage with global visual style often resonates widely. Early reactions online show viewers from across continents expressing curiosity about the writers referenced in the lyrics and visuals— many encountering these literary figures for the first time through the song.

    The narrative of the video itself adds a playful twist. It follows four carefree teenagers whose chance encounter with modern Tamil literature sparks a transformation, filling their lives with curiosity, excitement, and a newfound sense of joy. This is a rare theme for a pop music video, particularly one centered on literary influence.

    The song also pays special tribute to the influential twentieth-century writer Pudhumaipithan, widely regarded as a pioneering voice in modern Tamil literature. Through subtle lyrical and visual references, the video introduces audiences to the intellectual spark that shaped an entire literary movement.
    “We live in a fortunate age where literature from any culture is available at the click of a button,” Rajan noted. “Distance and language barriers are disappearing, and music can become a powerful gateway for discovering literary traditions.”

    By referencing pioneers of modern Tamil literature in a lively musical format, “Feel the Spark” transforms literary appreciation into a cultural celebration—perfectly capturing the spirit and mission of the LivingTamil LitFest. With an enviable lineup of authors, poets, translators and publishers attending this festival, as anticipation builds for the festival in April, one thing is clear: the spark has already been lit.

    Austin Soundar
    Vishnupuram Literary Circle USA
    email us here

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  • Julien Dubuque International Film Festival Expands to Eight Days in 2026

    Julien Dubuque International Film Festival Expands to Eight Days in 2026

    The expanded eight day festival brings global filmmakers, screenings, panels, workshops, and industry events to Dubuque and Galena.

    Expanding JDIFF to eight days allows us to build even stronger bridges between artists and communities.”
    — Executive Director Susan Gorrell

    LOS ANGELES, CA, UNITED STATES, March 17, 2026 /EINPresswire.com/ — The Julien Dubuque International Film Festival will return for eight days of independent cinema from April 18 to April 25, 2026, spotlighting global filmmakers, thought-provoking films, and opportunities for industry connection. Now extended, JDIFF presents more screenings, panels, workshops, parties, and community events than ever before.

    JDIFF continues to gain recognition across the international festival landscape. The festival appears on filmmaker Adrian Tofei’s research driven rankings of global film festivals, reflecting analysis of hundreds of festivals worldwide. JDIFF was also named one of the Top 12 Film Festivals to Watch in North America by “Destination Film Guide.” In addition, “MovieMaker Magazine” has repeatedly included JDIFF on its annual list of 50 Film Festivals Worth the Entry Fee, highlighting the festival’s strong programming and filmmaker experience.

    Since its founding, the festival has welcomed filmmakers and audiences from around the world to venues throughout downtown Dubuque and nearby Galena, Illinois, fostering cultural exchange and celebrating artistic excellence. Screenings take place across multiple downtown locations, while panels, workshops, awards events, and social gatherings offer opportunities for dialogue among filmmakers, critics, and audiences.

    The eight day film festival also brings a surge of cultural tourism to the region, drawing visiting filmmakers and audiences into downtown theaters, restaurants, hotels, and local businesses while placing Dubuque on the international festival map.

    Executive Director Susan Gorrell emphasizes JDIFF’s ongoing mission to support independent filmmaking.

    “Our goal is to provide a space where filmmakers can share their stories, connect with peers, and engage with passionate audiences,” Gorrell said. “Expanding to eight days allows us to build even stronger bridges between artists and communities.”

    JDIFF has also built a reputation as a discovery platform for emerging filmmakers, with participating films often continuing to broader festival runs and distribution opportunities after screening in Dubuque.

    The festival also partners with the International Federation of Film Critics, hosting a jury that awards the prestigious FIPRESCI Award recognizing outstanding achievement in international cinema.

    For filmmakers and film lovers alike, JDIFF represents a platform to discover new voices, experience diverse storytelling, and participate in a vibrant cultural event that anchors Dubuque on the global festival stage.

    For updates, official selections, venues, schedule details, and ticketing, visit julienfilmfest.com

    Lisa Malcolm
    Lynk PR
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  • Red Coral Universe Talks Oscars, The Future of Independent Film, and What’s Next for Live Streaming

    Red Coral Universe Talks Oscars, The Future of Independent Film, and What’s Next for Live Streaming

    The Independent streaming platform, founded by Award-Winning Producer and Distributor, is known for championing entertainment powered by passion, not algorithms

    I do believe in The Academy and its voting members to find the true diamonds in the rough each year – its just becoming more of an arduous search”
    — Larry Meistrich, CEO, Red Coral Universe.

    NEW YORK, NY, UNITED STATES, March 17, 2026 /EINPresswire.com/ — On Oscar Monday the team at Red Coral Universe started the day, well, the same way they start every day… talking about creativity and creating …what new content is going live on the platform and reviewing the status on the upcoming production schedules.

    A peek behind the scenes at the rapidly growing streaming platform and production company, helmed by multi-award-winning industry veteran, Larry Meistrich, provides a window into what’s possible and what’s next at this creatively driven, innovative entertainment hybrid.

    “I have been in the industry since the 1990’s and experienced its evolution in real time. I firmly believe Independent films are the backbone of a healthy industry and culture,” states Meistrich, CEO of Red Coral Universe. “I first experienced mass critical acclaim at the Oscars 30 years ago with Sling Blade (1996), the way entertainment was consumed then was entirely different.”

    Meistrich, a serial entrepreneur and consummate creative, founded Red Coral Universe in 2019 as an Artist-First, free-to-watch AVOD (Advertisement-based Video on Demand) streaming platform.

    Last night, the 98th Academy Awards, “Oscars”, streamed live on Hulu for the first time without needing a live TV subscription, alongside the traditional ABC broadcast. It was also available on YouTube TV, FuboTV, and AT&T TV.

    “We are an independent entertainment platform that acquires curated content, and produces and distributes original content, just on a much smaller scale, but not dissimilar to the major platforms. Many of the major platforms are in the Awards race including the Oscars, like Netflix, Apple TV+, Amazon Prime Video, HBO Max and Paramount+, ” states Meistrich. “Where we differ is they are all paid subscription-based – and we are not, and do not plan to be. Red Coral is free to watch with no sign in nor subscription.”

    Today the Red Coral Universe platform has a global audience (76+ countries) and a catalog of over 10,000 hours of content – across a wide range of content categories such as Award-Winning Films (such as Sling Blade) Shorts, Documentaries, World Cinema, TV Series, Sports, Podcasts, and personalized collections from Artists and Brands.

    In 2026, “One Battle After Another”, was a multi-award winner on Oscar Night and a major studio release. However, there is a long-standing history of honoring intimate, prestige Independent films. As a champion of entertainment projects powered by passion, Red Coral Universe is in the perfect position to continue to support Independent Artists and Filmmakers, where Meistrich got his start.

    When reflecting on the future of Independent film, Meistrich states, “Filmmakers who are not constrained by a large corporate infrastructure or hierarchy are free to move the boundaries of the medium, at the end of the day it comes down to storytelling not the means of consumption. I personally define an Independent film as a film that is financed independently of a major studio or streaming platform. I think it is much harder than it used to be for an Independent film to get made and even more difficult to garner an Academy qualifying theatrical release.”

    And as the Oscars reach beyond their 100th anniversary in 2029, they will move away from ABC to an exclusive streaming deal which will make the ceremony and related content accessible to a global audience for free, including behind-the-scenes coverage.

    “The industry has been rapidly moving more to the episodic medium with the advent of the streamers (acquisition and production) competitive spending spree,” states Meistrich. “However, I do believe in The Academy and its voting members to find the true diamonds in the rough each year – its just becoming more of an arduous search.”

    ABOUT LARRY MEISTRICH
    Prior to founding Red Coral Universe in 2019, Meistrich has had a progressive battery of entrepreneurial entities, beginning with The Shooting Gallery, founded in 1993, and garnering Oscars (notably 1996 global phenomenon Sling Blade), Golden Globes, Emmy Awards, TONY Awards, Independent Spirit Awards (2000 Best Picture, You Can Count on Me) and Film Festival honors at Berlin, Cannes, Sundance and countless others. As an independent producer, Meistrich has orchestrated and financed more than 150 films and television episodes.

    ABOUT RED CORAL UNIVERSE
    Red Coral Universe is an Artist-first, free-to-use AVOD streaming platform offering a wide variety of unique, engaging, and exclusive content – over 10,000 hours and growing – with a transparent financial model and revenue share that greatly benefits the Artist.

    – 150,000 unique users from 76 countries
    – 2 million requests (4Q ‘25) for advertising equaling impressions
    – 67% (two-thirds) of users view content to completion

    Founded BY Artists FOR Artists to produce and distribute original content and features an extensive, eclectic catalogue of award-winning films (including shorts, documentaries, and world cinema), TV series, sports, curated channels, music, podcasts, and personalized collections from Artists and brands.

    Red Coral Universe is available on iOS, Amazon Fire, Android, AppleTV+, Roku and Samsung – and at www.REDCORALUNIVERSE.COM

    There is something for everyone on Red Coral Universe – Entertainment powered by passion, not algorithms.

    Media at Red Coral Universe
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