Category: Music

Jesus Party leader unleashes high-energy anthem & video blending dancehall fire, festival EDM drops, and bold faith – declares Satan is dead in Jesus’ name.

BRONX, NY, UNITED STATES, March 2, 2026 /EINPresswire.com/ — Skerrit Bwoy, the Antigua-born, Bronx-raised producer, DJ, MC, and recording artist who first fused Caribbean fire with electronic gospel to birth the global Jesus Party movement, unleashes his most audacious release yet: the official music video for “Satan Dead.” The single is an explosive declaration of victory over darkness and is generating a massive buzz across worldwide faith-based, dance, EDM, and urban music scenes.

“Satan Dead”, a Grammy^®-contender from his acclaimed Jesus Party, Vol. 4 project is a relentless, bass-heavy EDM banger infused with dancehall attitude and unapologetic faith. With pounding drops, infectious rhythms, and lyrics that boldly proclaim Christ’s ultimate triumph over evil, “Satan Dead” transforms worship into spiritual warfare designed to empower youth groups, churches, ravers, and believers alike to stomp on defeat and celebrate victory.

The official music video (directed with high-energy festival vibes) captures everyday people losing themselves in pure joy and praise, no gimmicks – just authentic celebration in the presence of the Lord. Shot with vibrant Caribbean festival flair and modern EDM production aesthetics, it bridges club culture and Kingdom culture in a way only Skerrit Bwoy can.

“Satan Dead isn’t just a song… it’s a battle cry,” says Skerrit Bwoy. “Through Jesus, the enemy is already defeated. This track is for anyone ready to turn up the volume on faith, dance like David, and declare that darkness has no power here. Satan dead, in Jesus’ name!”

Since its release, “Satan Dead” (available on all platforms including Spotify, Apple Music, and YouTube) has seen remixes, instrumental and acapella versions, and growing traction in Christian music, EDM, and Caribbean-influenced playlists. The video has been spotlighted by outlets like TEMPO Networks, International Music Magazine, and faith-forward platforms that are pushing boundary-breaking gospel sounds.

Before his conversion to Christianity, Skerrit Bwoy toured internationally as a live MC with Major Lazer, performing on some of the world’s biggest festival stages. After giving his life to Christ, he made the radical decision to leave secular music behind and redirect his sound, experience, and platform toward spreading the Gospel through electronic music. As the architect of Electric Gospel Music, Skerrit Bwoy continues to shatter expectations, taking sounds from his Antigua dancehall roots and Bronx EDM stages to create music that reaches every inhabitable continent.

From festival main stages to church youth nights, the Jesus Party is in full swing. Watch “Satan Dead” on YouTube: https://www.youtube.com/watch?v=jIAKhsTYSwo and stream across all platforms: https://lnk.to/SatanDead

About Skerrit Bwoy
Skerrit Bwoy is a producer, DJ, MC, and artist leading the Christian EDM revolution. Born in Antigua and raised in the Bronx, he blends Caribbean energy, dancehall roots, and festival-ready EDM to create Jesus Party anthems that unite believers in massive, joyful praise. His catalog spans multiple volumes of Jesus Party, with tracks earning praise for innovation at the intersection of faith, culture, and electronic music. For more information about Skerrit Bwoy, visit: https://skerritbwoy.com.

Rive Video – Music Video Distribution, Promotion, and PR
Rive Music Video Distribution, Promotion, PR
+1 908-601-1409
email us here
Visit us on social media:
LinkedIn
Bluesky
Instagram
Facebook
YouTube
TikTok
X

Skerrit Bwoy – Satan Dead (Official Video)

Legal Disclaimer:

EIN Presswire provides this news content “as is” without warranty of any kind. We do not accept any responsibility or liability
for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this
article. If you have any complaints or copyright issues related to this article, kindly contact the author above.

By dissolving boundaries between style and sound, Tony Grieco creates a seamless dialogue where his electronic music directly inspires his Parisian collections.

UNITED KINGDOM, March 2, 2026 /EINPresswire.com/ — 𝗧𝗛𝗘 𝗖𝗥𝗘𝗔𝗧𝗜𝗩𝗘 𝗩𝗜𝗦𝗜𝗢𝗡 𝗢𝗙 𝗧𝗢𝗡𝗬 𝗚𝗥𝗜𝗘𝗖𝗢 𝗣𝗔𝗥𝗜𝗦

Tony Grieco operates a seamless creative cycle where the boundaries between sensory experiences dissolve. He draws inspiration from fashion to compose his music, while simultaneously using his own soundscapes to design his collections. By merging his eponymous French House, Tony Grieco Paris, with electronic art, he has created a unique ecosystem where style and sound amplify each other in a continuous, rhythmic dialogue. Much like the visionary legacy of Virgil Abloh, Tony Grieco defines himself as an artist who treats every medium as a single, unified form of art. Whether he is engaged in sound design as a DJ or executing elite craftsmanship as a designer, his work represents a constant intersection where matter influences melody and melody dictates the form of matter. This approach is built upon a foundation of professional expertise developed at some of the most prestigious fashion Houses in the world, including Givenchy, YSL, and Azzaro.

𝗖𝗨𝗥𝗥𝗘𝗡𝗧 𝗙𝗢𝗖𝗨𝗦 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗗𝗘𝗦𝗘𝗥𝗧 𝗗𝗥𝗨𝗠𝗦 𝗣𝗥𝗢𝗝𝗘𝗖𝗧

Following a transformative journey to the Middle East, Tony Grieco recently presented “Desert Drums”, an intricate tribal House track released on February 12, 2026. This composition, which blends organic percussion with deep electronic textures, serves as the definitive creative blueprint for his upcoming collection scheduled for release at the end of the year. The project highlights his role as a cultural bridge, with an aesthetic deeply shaped by immersions in Egypt and the United Arab Emirates. For Tony Grieco, “Desert Drums” is more than a song, it is the rhythmic foundation for a new era of craftsmanship. He acts as a translator between the auditory and the tactile, preparing to translate the soul of these territories into high-end pieces for his future collection.

𝗧𝗛𝗘 𝗖𝗢𝗟𝗟𝗘𝗖𝗧𝗜𝗢𝗡 𝗔𝗡𝗗 𝗣𝗔𝗥𝗜𝗦𝗜𝗔𝗡 𝗖𝗥𝗔𝗙𝗧𝗦𝗠𝗔𝗡𝗦𝗛𝗜𝗣

Following a transformative journey to the Middle East, Tony Grieco recently presented “Desert Drums”, an intricate tribal House track released on February 12, 2026. This composition, which blends organic percussion with deep electronic textures, serves as the definitive creative blueprint for his upcoming collection scheduled for release at the end of the year.

The project highlights his role as a cultural bridge, with an aesthetic deeply shaped by immersions in Egypt and the United Arab Emirates. For Tony Grieco, “Desert Drums” is more than a song, it is the rhythmic foundation for a new era of craftsmanship. He acts as a translator between the auditory and the tactile, preparing to translate the soul of these territories into high-end pieces for his future collection.

This upcoming work is rooted in the prestigious Parisian craftsmanship that Tony Grieco acquired throughout his youth, studies, and professional experiences in France. Every element of his future designs will be executed with the highest standards, ensuring that while the soul of the work remains raw and rhythmic, the execution is refined and sophisticated. By combining the techniques mastered in his Parisian atelier with the vibrant energy of the desert, Tony Grieco is creating a unique ecosystem where heritage and modern electronic art meet.

𝗔 𝗚𝗟𝗢𝗕𝗔𝗟 𝗖𝗨𝗟𝗧𝗨𝗥𝗔𝗟 𝗕𝗥𝗜𝗗𝗚𝗘 𝗔𝗡𝗗 𝗣𝗥𝗢𝗙𝗘𝗦𝗦𝗜𝗢𝗡𝗔𝗟 𝗟𝗘𝗚𝗔𝗖𝗬

Tony Grieco defines himself as an artist whose creative output knows no traditional boundaries. This vision is supported by a track record developed at the peak of the fashion industry. By merging Tony Grieco Paris with electronic art, he has created a unique ecosystem where style and sound amplify each other in a continuous, seamless cycle. A global traveler at heart, his aesthetic is a vibrant tribute to the heritage and history of the regions he visits. This collection exists in a constant, living dialogue where his intricate soundscapes directly inspire the texture of the leather used in his designs, while the physical matter and weight of his creations influence the direction of his musical scores.

𝗚𝗟𝗢𝗕𝗔𝗟 𝗜𝗠𝗣𝗔𝗖𝗧 𝗔𝗡𝗗 𝗠𝗘𝗗𝗜𝗔 𝗥𝗘𝗖𝗢𝗚𝗡𝗜𝗧𝗜𝗢𝗡

Tony Grieco’s impact and unique vision have established his credibility on a global scale, supported by significant digital and media reach. His streaming mastery has resulted in over 1.2 million total streams accumulated across global platforms. His digital power is reflected in a community of over 60k followers on Instagram and 20k followers on X (ex-Twitter). This global visibility is confirmed by features in major international outlets including Fox News, W Magazine, New York Today, Herald Magazine, AP News, PIX11 News, CBS, and Digital Journal. These accolades confirm his role as a rising force at the intersection of sound and style, redefining the modern House.

COLLEEN BARRY
Associated Press
email us here

Legal Disclaimer:

EIN Presswire provides this news content “as is” without warranty of any kind. We do not accept any responsibility or liability
for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this
article. If you have any complaints or copyright issues related to this article, kindly contact the author above.

Debut Album HOLLYWOODN’T coming soon!

LOS ANGELES, CA, UNITED STATES, March 2, 2026 /EINPresswire.com/ — Multi-platinum, #1 Billboard chart-topping songwriter and recording artist Tricia Battani has officially stepped into the spotlight with the release of “SUNNY,” the first single from her long-anticipated debut album HOLLYWOODN’T. The uplifting collaboration features hip-hop pioneer Kid of Kid ’n Play and was produced by Grammy-nominated producer G’harah “PK” Degeddingseze.

A respected creative force behind the scenes for years, Battani’s songwriting and vocal production credits span global markets including K-pop, J-pop, and C-pop, with releases by artists such as aespa, ITZY, Seulgi, Hwasa, TNX, StayC, IS:SUE, Kiss of Life, and Yeji to name a few. Her work has appeared on major film soundtracks and international chart-topping projects.

“SUNNY” marks a personal and triumphant new chapter. Written after a season of profound personal loss and life-altering health challenges within her circle, the song is a testament to resilience — a celebration of light returning after the storm. Battani and Kid originally spoke about collaborating more than 16 years ago; the track fulfills a promise years in the making.

The release also signals the arrival of HOLLYWOODN’T, Battani’s debut album — a self-aware, cinematic commentary on her two-decade journey in Los Angeles. Blending 80s neon nostalgia with modern R&B-pop sensibilities, the project explores ambition, illusion, perseverance, and reinvention and features several legendary artists.

Raised in Austin, Texas, as the youngest daughter of two Iowa Music Hall of Fame inductees, Battani grew up immersed in music. After building a multi-platinum career behind the scenes, she now steps forward as an artist in her own right — backed by decades of craft, global success, and lived experience.

With “Sunny,” Tricia Battani isn’t just introducing a debut single — she’s revealing the artist behind the hits.

“SUNNY” is available now on all streaming platforms.

Debut Album HOLLYWOODN’T is coming soon!

Tricia Battani
RoyalT Productions
email us here
Visit us on social media:
Instagram
Facebook
YouTube
TikTok
X

Sunny Music Video – Tricia Battani and Kid of Kid ‘n Play

Legal Disclaimer:

EIN Presswire provides this news content “as is” without warranty of any kind. We do not accept any responsibility or liability
for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this
article. If you have any complaints or copyright issues related to this article, kindly contact the author above.

United Republic Records Unveils Kimberly Meyer’s Dirt Road Detour EP

NASHVILLE, TN, UNITED STATES, March 1, 2026 /EINPresswire.com/ — United Republic Records recording artist Kimberly Meyer officially releases her long-awaited Dirt Road Detour EP, a four-song collection that captures an artist hitting her stride while juggling a life few could keep pace with. The EP arrives as both a creative milestone and a statement of intent—grounded, fearless, and unapologetically authentic.

The project features four tracks: “Darianne,” “Dreaming In Reverse,” “Two Lane Therapy,” and a striking reinterpretation of Coldplay’s “Yellow.” Each song showcases Meyer’s evolving songwriting voice, rooted in country storytelling but unafraid to explore broader emotional and sonic terrain. The result is a project that feels personal without being insular, expansive without losing its heart.

Since her Nashville showcase performance in 2024, Meyer has relentlessly pounded the pavement, returning to Music City multiple times throughout the year while maintaining a demanding schedule that includes live performances, teaching music lessons, active service with the South Dakota National Guard, and even competing (and winning) in physical fitness competitions. That Dirt Road Detour came together amid such a packed calendar only underscores Meyer’s defining trait: an unwavering commitment to excellence in everything she takes on.

Looking ahead, Meyer is already setting her sights on what’s next. In December 2025, she re-signed with United Republic Records, marking the start of her next creative chapter. She will once again collaborate with Them Fly Bros, the songwriting production team behind much of her most recent work, and continue to focus on elevating her songwriting and expanding the depth of her growing catalog.

“Meyer’s ambition and dedication to authentic artistic expression match that of United Republic’s,” says Luke Mills, AMC Label Group’s newly appointed Head of A&R. “I’ve enjoyed working with Kimberly over the past two years, and I’m looking forward to helping lead her charge over this next season of her recording career.”

With new music in hand, Meyer is preparing to bring Dirt Road Detour to the stage throughout her 2026 live performance schedule, where her songs have consistently resonated with audiences across the Midwest and beyond. A full roster of upcoming dates can be found at www.kimberlymeyermusic.com.

The Dirt Road Detour EP is available everywhere on March 6, alongside Meyer’s previous releases, on all major music streaming platforms.

Rob Freeman
US NEWS REPORT
info@us-news-report.com

Legal Disclaimer:

EIN Presswire provides this news content “as is” without warranty of any kind. We do not accept any responsibility or liability
for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this
article. If you have any complaints or copyright issues related to this article, kindly contact the author above.

Macao Culture Assets Exchange, in Collaboration with the China Cultural Relics Exchange Centre, Guowenxuan and Yungang Grottoes

MACAU, MACAU, CHINA, March 2, 2026 /EINPresswire.com/ — To celebrate centuries of cultural exchange between East and West, the global initiative Tanmi Yungang will launch in 2026, led by the China Cultural Relics Exchange Centre and the Yungang Research Institute. As part of this project, the Macao Culture Assets Exchange and the Macao Wen Jiao Group Co., Ltd will release a special series of Yungang-themed collector cards. The launch coincides with the debut of “Tanmi Yungang: Echoes of the Yungang Grottoes in Paris,” a large-scale light show premiering on February 14, 2026 (Chinese New Year) at the China Cultural Centre in Paris. Limited-edition collector cards featuring the theme “Millennium Music” will be available for pre-order starting today.

The Paris light show, “Tanmi Yungang: Echoes of the Yungang Grottoes in Paris,” is guided by the China Cultural Relics Exchange Centre and the Yungang Research Institute, and co-organized by the China Cultural Centre in Paris and Guowenxuan (Beijing) Culture Development Co., Ltd. The Macao Wen Jiao Group Co., Ltd and the Macao Culture Assets Exchange will manage the global release and distribution of the collector cards. The show features the musical heritage of Yungang Grottoes’ Cave 12—known as the “Music Cave”—and highlights the artistry and history shaped by the Silk Road.

The collector cards are inspired by musical scenes carved over 1,500 years ago in the Yungang Grottoes. Through modern digital design, these cards turn ancient images of celestial musicians, dancers, and Silk Road instruments like the konghou and pipa into limited-edition works of art. Each card is both a unique collectible and a window into the musical heritage of the Silk Road.

The Yungang Grottoes, with over 1,500 years of history, are a landmark of Buddhist art from the Northern Wei dynasty. Besides their impressive sculptures, the grottoes are famous for the “Music Cave,” which preserves scenes of flying apsaras, musicians, and instruments—evidence of cultural exchange on the ancient Silk Road. These stone carvings are a lasting record of musical heritage.

Now, these ancient musical treasures are reimagined in the world’s first “Millennium Music” limited collector card series. The cards invite audiences to experience an immersive journey through time, light, and sound, and to reconnect with a civilization shaped by music.

Music serves as the cultural thread in this limited collector series, linking centuries of East-West exchange. Inspired by musical scenes carved 1,500 years ago, the collection transforms this ancient musical heritage into collectable artworks, allowing collectors to connect with history through each card.
The pre-sale launch on February 14 introduces the “prologue collection” of the Tanmi Yungang program. This is more than a collection—it is an invitation to join a cultural dialogue spanning a thousand years. First-edition collectors become guardians of musical heritage, unlocking access to the hidden soundscape of the Silk Road and connecting with the ancient city of Datong.

Neo Li
Macau Culture Assets Exchange
+853 6885 5537
email us here

Legal Disclaimer:

EIN Presswire provides this news content “as is” without warranty of any kind. We do not accept any responsibility or liability
for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this
article. If you have any complaints or copyright issues related to this article, kindly contact the author above.

It’s a partnership, not a takeover…

PENSACOLA, FL, UNITED STATES, March 1, 2026 /EINPresswire.com/ — While much of the music industry debates whether artificial intelligence is a threat or a breakthrough, Dr. Ludie L. Hoffman is choosing action over argument. The veteran songwriter and music innovator has officially announced plans for an AI-driven virtual music label. This is a bold, forward-thinking move that blends artificial intelligence, fictional digital artists, live human performers, and regional culture into one connected ecosystem.

Dr. Ludie L. Hoffman is not doing this to replace artists. He’s doing it to push creativity further.

At 55, Dr. Hoffman brings something many in the AI music space don’t, and that’s “history.” He has lived through nearly every major shift in the industry. From analog studios and vinyl records to cassette tapes, CDs, MP3 downloads, streaming platforms, and now digital broadcasting, he’s adapted at every turn. He sees AI as the next evolution, not the end of human artistry.

“Music has always changed with technology,” Hoffman explains. “We went from live bands to electric instruments to digital production. This is another step forward. The key is staying in control of how we use it.”

That mindset is what sparked his newest initiative: a structured virtual artist label powered by AI but guided by human vision. Instead of releasing AI-generated music anonymously or as random experiments, Hoffman has created a roster of fictional digital artists. Each one has a defined sound, personality, creative direction, and story. These are not faceless algorithms producing tracks. They are branded projects with identity and intention.

The approach treats AI artists the way traditional labels treat real-life talent, with planning, development, and strategy. The technology assists with composition, arrangement ideas, and production possibilities. But the creative oversight, direction, and brand decisions remain firmly in human hands.

It’s a partnership, not a takeover…

Supporting the entire system is WAMC, Hoffman’s 24-hour digital broadcast platform. The station serves as the home base for releases tied to the virtual label, while also showcasing other projects connected to his broader music vision. WAMC has already made waves along the Gulf Coast for its bold programming and for championing a new blended genre known as GulfWav Sound.

GulfWav Sound reflects the musical heartbeat of the region. It fuses country, hip-hop, rap, blues, smooth jazz, urban contemporary, R&B, and more into a layered, modern sound that feels both coastal and forward-thinking. It carries grit and groove at the same time. For Hoffman, AI is simply another tool to help expand that sound.

Perhaps the most intriguing part of this new label isn’t the technology, it’s the stage. While many AI music ventures exist only online, Hoffman’s framework includes live human performers who bring the virtual artists to life in front of real audiences. Vocalists and entertainers perform under the identity of the fictional acts in what he describes as authorized interpretations.

It’s a model that allows multiple performers to represent the same digital artist in different cities and venues. That flexibility removes common touring challenges like scheduling conflicts, fatigue, and brand inconsistency, while keeping live performance front and center.

The beautiful part about all of this is that the audience still connects with a real voice. They still feel real energy. They still experience real moments.

“Technology can help create the music, but the connection still happens in the room.” That balance is intentional. As conversations grow louder around AI’s role in creative industries, concerns about authenticity, ownership, and artistic integrity continue to surface. Hoffman’s structure attempts to meet those concerns head-on by keeping human presence at the core of the experience.

AI supports the production, but Humans drive the performance and Vision guides the direction. Beyond innovation, there’s also cultural meaning behind the move. Hoffman frames AI not as a disruption of tradition, but as a continuation of it. He points to the way Black musical innovation has historically shaped American sound from blues and jazz to gospel, soul, R&B, and hip-hop. Each era introduced new tools, new methods, and new formats.

Electric guitars were once controversial, synthesizers were once questioned, and digital production once seemed risky, but now they’re standard.

He believes AI will follow a similar path, but only if creators shape its use thoughtfully. The integration of GulfWav Sound into the AI label strengthens that perspective. GulfWav isn’t about copying trends from larger markets. It’s about building something that reflects the Gulf Coast’s unique blend of styles and stories. Industry watchers are already observing the rise of hybrid creative models. As AI tools become more accessible, more creators are experimenting with collaboration rather than competition between humans and machines.

Hoffman’s model offers a clear example of what that collaboration could look like, structured, branded, and intentional. There are still big questions across the industry. Copyright laws are evolving. Ownership frameworks are shifting. Audiences are still forming opinions about AI-generated art. Hoffman acknowledges those realities but remains focused on responsible development.

The virtual label is being built with oversight, creative guidelines, and defined management structures to avoid chaos or confusion. Ultimately, his goal isn’t shock value. It’s sustainability… Having watched the music business reinvent itself repeatedly, Hoffman knows survival belongs to those willing to adapt without losing their foundation.

“This isn’t about chasing hype, it’s about preparing for what’s next.”

With WAMC broadcasting, GulfWav Sound gaining traction, and a fully structured AI-driven virtual roster in motion, Dr. Ludie L. Hoffman is once again stepping into uncharted territory, not recklessly, but strategically.

Where technology meets tradition. Where digital meets live performance. Where the Gulf Coast sound meets the future. And this time, he’s making sure the future sounds intentional.

ToriTellemMusic PR Associates
ToriTellemMusic PR Associates
toritellemnow@gmail.com

Legal Disclaimer:

EIN Presswire provides this news content “as is” without warranty of any kind. We do not accept any responsibility or liability
for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this
article. If you have any complaints or copyright issues related to this article, kindly contact the author above.